Capturing history in art by Jonni Hill, Special to the R-C      February 11, 2004

  Robert Tompkins' bust with photo of him during WWII
  Robert Tompkins' bust in front of a photo of him during World War II.
R-C graphic by Jonni Hill.

       Robert Tompkins received a special honor recently. A Gardnerville resident these past 15 years, Tompkins was one of 100 World War II veterans chosen to have his image reproduced in clay sculpture for a special tribute to WWII veterans.
       Kaija Keel, Claire Hanzakos and Jilda Schwartz, Southern California artists, conceived this project more than two years ago, when Keel was commissioned to do a bust of famed Southern California photographer Warren King.
      During WWII, King was a military photographer and during the time he sat for the artist, he recounted stories of what he had done in the war.
       This planted the seed for the project which sent Keel and her two associates (they worked together at Hanzakos' Studio) on an historical odyssey.
       Choosing appropriate subjects was hard at times, said Keel, but the end result was a well-rounded tribute to what history will record as "The Greatest Generation" of our time.
       "When we started the project," Keel said, "we didn't realize how big it would be.
       "But as time and effort passed, we realized we needed to represent the whole picture of the service men and women who served, so we went to different places to locate special groups."
       They also wanted a representative cross-section of all the minorities, including women, and their contributions.
       "We wanted to pay tribute to the idea of service, not medals," Hanzakos said, adding the artists have been contacted by the Veterans Administration inquiring about creating the images in bronze for an outdoor memorial.
       Even Hanzakos' 93 year old husband, Harry Steinberg became a willing subject for the project.
Steinberg, a physician and an avid sculptor himself, was a major in the Army Medical Corps during WWII. His medical unit was in place on the bluffs above Omaha Beach just a day after the D-Day landing. His mobile hospital unit moved forward with the troops throughout the European Theater.
       Individual busts were created of the 100 veterans as they appear today. Then, they were displayed with photographs of the men and women as they appeared during the war. A brief history of their contribution to the war effort was also included.
       And their contributions were as diverse as the grains of sand on the Normandy Beach, which some of them had the good fortune to survive.
       Many familiar names appeared in the list of 100 including movie director Steven Spielberg's father, Arnold and uncle, Irvin "Bud" Spielberg; movie director Delbert Mann; master furniture maker Samuel Maloof; Academy of Motion Picture Arts and Sciences President Frank Pierson; and Allan Adler, the "silversmith to the stars."
       All were represented in a time of humble beginnings.
Minorities including African American Tuskegee Airman Frank Jackson; George Fujimoro, a Japanese American serving in Army Intelligence; Susan Ahn Cuddy, a Korean American who taught the troops how to handle a machine gun; Maggie Gee, a Chinese American who was one of several women pilots, are all noted in this unusual display of human endeavor and honored for their contributions.
       Which returns us to Tompkins, who is not without his own story to tell.
Until 1996, when the information of a top secret unit to which Tompkins was assigned was declassified, Tompkins was only allowed to say he was a camoufler in the Army Corps of Engineers.
       He can now share that he was part of the 23rd Headquarters Special Troops, known otherwise as the Ghost Army.
       Until then, his contributions went far beyond what he was allowed to talk about.
The Ghost Army was a top secret American Army unit comprised of actors, writers, artists, sound experts and set designers whose sole purpose was to confuse, mislead, and deceive the German army.
       The U.S. Army picked the brightest and best from all facets of the arts and entertainment world.
The directive handed down from the secretary of war stated, in part "Organization of the 23rd Headquarters Special Detachment ... consigned to the Second Army, would have an authorized strength of 13 officers, one warrant officer and 54 enlisted men."
       This was the official nucleus designed to start a 1,300-man elite unit, although its actual strength was 1,100. The demand for secrecy for this unit was so intense, new recruits were acquired without requisition through normal Army channels.
       Tompkins was attending Pratt Institute in Brooklyn, N.Y studying advertisement design when the call of war was sounded in 1942 following the attack on Pearl Harbor.
       Like many of his fellow Americans, Tompkins enlisted in the Army. It was in basic training at Ft. Meade, Maryland in 1943, that he met Pvt. Bill Blass, who would achieve greatness as a fashion designer.
       Tompkins and Blass were both assigned to the Ghost Army due to their artistic talents.
The time and experiences they shared during their war years cemented a relationship which endured until Blass' death on June 12, 2002 just 10 days shy of his 80th birthday.
       Tompkins, knowing his life long friend was not going to live much longer, traveled to Blass' Connecticut estate.
       While there, Tompkins took photographs of Blass, who was conducting business on the phone with his constant companion, a yellow lab named Barnaby, by his side.
       Returning home, Tompkins did a special drawing of his war time buddy -- a simple soft pastel sketch in sepia tones -- delivered to his friend on Christmas Eve. Its simplicity reveals the emotion of a friendship they nurtured for almost 60 years. A copy of the original hangs in the Tompkins' home as a constant of the memories.
       Tompkins married his high school sweetheart, Bunny Hart on April 13, 1943, while he was in basic training.
       For her part, Bunny gave up a promising modeling career with the John Powers Modeling Agency be a military wife, and to follow "the love of her life."
       On May 2, 1944, Tompkins found himself the Henry Gibbons, a troop transport ship, the Henry Gibbons, bound for England.
       What made his departure more heart-wrenching, he said, was that Bunny and he were expecting their first child.
       Due to the top secret nature of their jobs, most of the men of the 23rd thought they were bound for the Pacific and not Great Britain which was soon to be their staging area.
       Not even their families knew their final destination although some of the men were able, through subterfuge, to give their loved ones a rough idea of their location.
       During this time, Tompkins kept a secret diary which, if discovered, would have been a shooting offense.
       Although seemingly benign, in the event of Tompkins capture, the diary would have provided enough information for the enemy to discover what the 23rd was up to.
       Today, his diary is an historical account of a well kept secret and has been published in a fascinating account titled "Ghost Army of World War II" by Jack Kneece.
       Even though his year in Europe was not with a combat unit in the front lines, it was not without extreme danger.
The 23rd supplied the decoys that fooled the Germans into thinking U.S. troop strength was twice what it was. This was achieved using rubber dummies of all sorts of equipment, such as tanks and large gun emplacements which were supplied by rubber companies including B.F. Goodrich and Firestone.
       Elaborate sound effects, special lighting, camouflage, even painted shadows on the ground were all designed to mask the movement of fighting troops from one area to the next and give the Germans a sense of mighty American strength.
       Truth was, America had entered WWII undermanned and ill equipped. If it hadn't been for the deceptive tactics of the 23rd, the seasoned war machine of the Third Reich would have inflicted a lot more casualties than they did.
      All the deceptive work was not with out typical Army SNAFU's. In an account from Tompkins, it was not unusual to work late at night setting up a battalion of dummy equipment only to find by morning that atmospheric weather changes had caused the inflations to leak, leaving sagging gun turrets and tanks rippling in the breeze.
       Apparently none of these problems were ever detected by the enemy.
It was hard for Tompkins to be away from his wife during her pregnancy. His worrying was compounded by the lack of communication due to his unit's constant movement.
       According to a diary entry, this weighed more heavily on his mind than all the danger he faced daily.
Robert Junior was born Dec. 18. Bunny tried desperately to get the news to Tompkins by way of a cablegram which proved to be undeliverable. Undaunted, she placed a notice in the military magazine, Stars and Stripes, hoping the news would reach him.
       One happy, relieved and elated new father received the news on Dec. 29, his diary recounts.
Immediately after his return from the war, Tompkins began what became a successful career. He worked as art director with Young & Rubicam Advertising producing ads for national accounts in New York and Los Angeles. After 25 years in the ad business, he formed his own graphic design firm in Los Angeles and worked as a design consultant to such clients as Union Oil Company of California, The Squirt Co. and various major banks in Southern California. In 1982 he joined Union Oil (now known publicly as UNOCAL 76) as manager of graphic art production. He continued as a design consultant for the firm creating promotional pins for the Los Angeles Dodgers and the Oakland A's sponsored by UNOCAL.
       When he finally decided to retire, the couple looked at many locations but, because they had owned a cabin in the Twin Lakes area near Bridgeport, and they had many friends in the area, their final decision was Gardnerville.
       Tompkins has time now to enjoy the leisurely pursuits of the fine art world. His work, mostly in pastel, are award winners.
The Tompkins had three sons. The oldest, Robert "Butch" Jr. works for the Mineral County Sheriff's Dept in Hawthorne. Their middle son, Lawrence "Spike" Tompkins is executive vice president for Independent Television Network Incorporated in Chicago. Their youngest son Mark, is an oil painter and teaches the craft at Austin Arts in Carson City.
       The initial exhibit of the 100 sculptures of the veterans at Jose Drudis-Biada Art Gallery at Mount St. Mary's College, has closed.
       The artists are now looking for venues to place the display on tour. Any interested galleries are welcomed to contact the Art Options Foundation at (310) 472-3448.

  Bob Tompkins - A Unique Legacy
  Comments from the Webmaster     2-20-2004
It was exciting to read this article, and learn more about Bob's life.  It was doubly exciting for me, as I worked with Maggie Gee for about 40 years at the Lawrence Livermore Laboratory!  She didn't talk much about her WWII experience, like many veterans.  Maggie was a very bright, quietly competent and friendly lady.   Life is full of happy coincidences!   
       The "Rad Lab" is also where I met Lynn Kelly, and I'm sure she knows Maggie as well.
I've been away from Livermore for 18 years, and haven't kept up with some of my friends. 
       Here are two books about the Ghost Soldiers:
"Secret Soldiers" The Story of World War II's Heroic Army of Deception - by Philip Gerard
"Ghost Army of World War II" - by Jack Kneece
       Gordon Pefley                        

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